Kreidler has one of those sounds that teeters on the edge of being irritatingly experimental, but is pulled back by some solid acoustic instrumentation and a good sense of beat and build. Their debut, Weekend showcases an odd mix of chirps and clicks, along with some more conventional driving bass and lightly rocky drums. Some of it’s a bit Four Tet-ish, but it’s a little meaner with its melodies than the English artist, and the overall effect is something slightly darker.
An intriguing personality shows in the words and music from Bev Lee Harling. Songs about expectations, modern life & love are matched by a diverse production which is sometimes tongue in cheek, but always spot on in presenting the song eloquently. Don’t be fooled by the sweetness of her voice; she conceals a dark twist and wickedness underneath her cute appearance. “Private Life of a Puppet” sees a fine balance between innocent & dark, while “Barefoot in Your Kitchen” has you guessing whether it is a smart analogy or just a loving tribute.
In 1997, Brighton-based duo Smoke City released “Underwater Love”, a Brazilian-flavored trip-hop tune which landed a great number of fans and ended up on over fifty compilations. The dreamy, sweet-tongued voice of vocalist Nina Miranda created the sharp allure and addictive quality of the track. Now, after some collaborations with Bebel Gilberto, Nitin Sawhney, and Da Lata, Nina joins eclectic producer Dennis Wheatley as Shrift. Together they create a seductive sound that transports you halfway between South America and wind-swept fantasy. Off their upcoming album, “Floating City” spins around you in a genre-fusing 6/8 rhythm and “As Far As I Can See” nails beautiful melody with little, deliberate instrumentation. Effortless artistry from two worldly musicians.
A ladybug from Miami’s South Beach can play the kazoo and charango while singing ~ who knew!? Well I’m sure glad to have finally found out, because Rachel Goodrich presents a pleasantry unlike any other. She grew up perceiving music as a seemingly essential ingredient for life, which may be what allows her to welcome any sound-making thing into her arena; dancing and tinkering in astounding whimsy. Quirky yet smooth, she meshes this inventive inventory into a joyful jubilee – donning theatrical highlights amidst her casual rhythms and rhymes that hearten emotions like new rays of sunshine. (thx, Ben)
The music of LA native Sahy Uhns a.k.a. Carl Madison Burgin is a unique blend of West Coast hip-hop, IDM and ambient influenced soundscapes, all topped off with some glitchy beats, organic rhythms and obscure psychedelic beauty. The opening track, a personal favorite, of his recently released album An Intolerant Disdain of Underlings (2011), “Montebello Postpartum”, delivers a dreamy ambient vibe and a gentle midtempo beat. “Anticipation Of The Night, which is named after a 1958 film by Stan Brakhage, showcases Sahy Uhns’ outstanding sound design skills.
Labeling this track “underground hiphop” or “real hiphop”, although completely appropriate, would be misrepresentative in this case. “Count Your Blesings” is radio-friendly. It’s production’s polished. Its sound’s got bounce. And it doesn’t feel like most other on/under the radar hiphop because.. well, it’s pop hiphop. Just a warning though, Emanon is a duo: MC Aloe Blacc keeps the rhymes sounding real and musty, while DJ Exile rolls out syncopated bassbeats that keep you shaking. Keepin’ it real an keepin’ it hot.
UPDATE: DJ Exile just dropped by tell us the original reggae track sampled is Sister Nancy’s “Bam Bam”. You’ve probably heard it in the stripclub scene in Belly. It’s available on this dancehall compilation. buy this cd
Designs similar to Atupele’sPictures on Silence have intrigued me, but there is a quality in this 20 y/o’s Michigan Malawi purpose that lava lamps me to a greater plane – liquidating my conscious inside an orb of electronic bass and faint promiscuous echo. Slow Koreless to a hibernating burrow then resurrect in soulful bounty.
Heavy beat patterns your mind spotless. Atu – Let Me Atu – The Duo ft Sango + Purchase/Visit
Anja Garbarek, the daughter of the prolific Norwegian jazz saxophonist Jan Garbarek, as a child was surrounded by musicians but had no intention of doing something musical with her career. Instead, at 16 she went to drama college where her performance in a musical brought her to the attention of the Norwegian record industry and she was offered a deal. Anja Garbarek hates being predictable, for her songwriting has always begun with the lyrics and she is known for telling her own feelings reflecting dark stories put with comforting, hypnotic and sweet melodies. Her song “Sleep” from Briefly Shaking (2005) is based on the true story of a woman who was kidnapped and “The Last Trick” was written at a particularly dark moment. You’ll likely hear some คาสิโนออนไลน์Emiliana Torrini in Anja.
The title “No Escapin’ This” is an apt one; because you really can’t avoid the hotness of this track. Heavy hittin bass slams you on a syncopated beat and a backup black chorus robs you of your own your complementary contribution; they’ve got this song pinned down. The Beatnuts have a production style so polished and perfect, meanwhile their beats sound natural, earthy and justly flavored. They hit the balance right. The man Angad sez: ‘anyone who claims to know about hip hop should know who the beatnuts are.’ Set it off.
Javier Dunn may be an unfamiliar name to most, but the singer-songwriter has years of experience under his belt. The Los Angeles-based songwriter has been playing guitar since he was 10, put out his first full-length album in 2006, and has been playing guitar with Sara Bareilles since their days at UCLA. Despite spending an incredible amount of time on the road as part of Sara’s band, he’s managed to release another EP, Vessel, earlier this year. The new EP features “If You Go,” an folk-pop gem that is as refreshingly catchy as it is sincere. His stripped down cover of Miike Snow’s “Animal” isn’t on the EP, but remains a particular favorite of mine. Javier’s take on the electropop hit highlights the plaintive lyrics without sacrificing a groove that keeps the track moving. Like, “If You Go,” Dunn’s version of “Animal” is vulnerable, heartfelt and unerringly catchy. Take a listen to both tracks below and see for yourself!